MELA SARAJANE DAILEY

Grammy Award-winning soprano Mela Sarajane Dailey is an internationally acclaimed artist whose extraordinary versatility spans opera, musical theatre, oratorio, jazz, gospel, popular music, and film. A ten-time Grammy nominee, Dailey received a Grammy Award for Best Choral Performance for Conspirare’s The Sacred Spirit of Russia, released by Harmonia Mundi. 

Celebrated for her vocal brilliance, emotional depth, and commanding stage presence, Dailey has performed with leading orchestras and opera companies throughout the United States, Canada, and Europe, including the Florida, Louisville, Detroit, Edmonton, Fort Worth, and Austin Symphonies; Austin Opera; Opera Maine; and the Rochester and Vancouver Philharmonics. Her operatic repertoire includes both Mimi and Musetta in Puccini’s La bohème, among other leading roles. 

Her career has taken her to distinguished venues including Carnegie Hall and Boston Symphony Hall, as well as sold-out arenas alongside Michael Bublé and Sarah Brightman. She has also led major artistic productions, including the production and performance of Leonard Bernstein’s Mass in celebration of the composer’s 100th birthday.

Equally at home in musical theatre, Dailey’s favorite featured performances include Mrs. Lovett in Sweeney Todd and Maria in The Sound of Music. She has also performed as a soloist in the acclaimed oratorio Considering Matthew Shepard, a work with which she has both performed and recorded.

Dailey’s work extends beyond the concert and opera stage into film, television, radio, commercial work, and fashion and print modeling. Her film credits include featured vocal performances in major motion-picture soundtracks, including composer Hanan Townshend’s The Vessel with Martin Sheen and Heaven Sent.  She has also appeared in commercial and print campaigns and has been featured in jewelry campaigns for prominent designers, including Alex Soldier Jewelry.

Her recording and broadcast career includes studio work at Skywalker Ranch, numerous commercial recordings, and hosting ICONS of Broadway. She continues to perform across genres while developing projects that bring together music, storytelling, and visual media.

Dailey’s work extends beyond the concert and opera stage into film, television, radio, commercial work, and fashion and print modeling. Her film credits include featured vocal performances in major motion-picture soundtracks, including composer Hanan Townshend’s The Vessel with Martin Sheen and Heaven Sent.  She has also appeared in commercial and print campaigns and has been featured in jewelry campaigns for prominent designers, including Alex Soldier Jewelry.

Her recording and broadcast career includes studio work at Skywalker Ranch, numerous commercial recordings, and hosting ICONS of Broadway. She continues to perform across genres while developing projects that bring together music, storytelling, and visual media.

An artist, producer, advocate, and arts leader, Dailey’s career reflects a lifelong belief in the transformative power of the arts, and in the importance of creating meaningful opportunities for artists to share their voices.

Today, Dailey is also the founder and CEO of American Artists Project, a national nonprofit dedicated to removing financial and structural barriers for under-resourced artists and expanding equitable access to the arts. Through AAP, she has created free educational and performance opportunities for artists and students, including autistic and neurodiverse artists of all ages.

  • “From the moment Mela Dailey walks on stage you sense you are going to hear great music making. As she begins to sing, you become lost in the beauty of her voice. She seems to effortlessly sculpt every note to be in perfect alignment with her expression. Her tone can be clear and warm at the same time. She combines her remarkable musicianship with a naturalness of movement that has you believing the stage is where she lives. No matter how many times you have heard the music, it is as though you are experiencing it for the first time. No matter how trivial or superficial the plot, you believe it.”

    Karl Miller, American Record Guide, Symphony Magazine, Musical America, www.clasical.net, January 20, 2007

  • “...For such an accomplished gathering of excellent singers, the individual selections were an uneven mix. Among the best of these was Mela Dailey’s “When William at Eve,” by William Shield....which showed off both the singer’s fine voice and playful exuberance.”

    —Robi Polgar, Austin Chronicle, June 14, 2002

  • “...Soprano Mela Dailey had both power and beauty for her solo in Richard Jackson’s “Rock My Soul.”

    —David Mead, Austin American Statesman, October 14, 2004

  • “Soprano Mela Dailey grabbed the spotlight as Musetta, the periodically flirtatious girlfriend of Marcello. Her singing was bright and vivacious...her taunting of Marcello in the face of an old beau was very funny.”

    —Charles Ward, Houston Chronicle, April 01, 2005

  • “Mela Dailey as tempestuous good-time girl Musetta, who blasts on stage like a Hollywood diva and sings the hell out of her famous “Waltz.”

    Nancy Galeota-Wozny, D.L. Groover and Lee Williams, Houston Press, April 07, 2005

  • “Soprano Dailey, tenor Cameron and bass/baritone Robinson gave magical performances - particularly the stunning Dailey with a voice that sounds like it’s coated in Christmastime silver and gold. Dailey dazzled with the famous “Laughing Song” from Johann Strauss Jr.’s comic opera “Die Fledermaus,” or “The Bat.” She turned in such a joyful performance. But her coup d’etat of the evening had to be “Vilja’s Song,” a lush, romantic aria from Franz Lehar’s “The Merry Widow.” She takes the audience with her on this quixotic journey that reaches the height of heights when she hits that elusive high note. She continued that journey with Cameron for “Lippen schweigen,” also from “The Merry Widow.” Dailey has such a wonderful timbre to her voice, such a great quality”

    —Lana Sweeten-Shults, Times Record News, January 28, 2007